{"id":9354,"date":"2026-05-19T16:09:14","date_gmt":"2026-05-19T07:09:14","guid":{"rendered":"https:\/\/fes.kyoto.jp\/?p=9354"},"modified":"2026-05-20T17:24:43","modified_gmt":"2026-05-20T08:24:43","slug":"%e6%9b%b8%e9%81%93%e5%ae%b6-%e9%9d%92%e6%9f%b3%e7%be%8e%e6%89%87%e6%a7%98","status":"publish","type":"post","link":"https:\/\/fes.kyoto.jp\/en\/works_en\/%e6%9b%b8%e9%81%93%e5%ae%b6-%e9%9d%92%e6%9f%b3%e7%be%8e%e6%89%87%e6%a7%98\/","title":{"rendered":"Calligrapher AOYAGI BISEN"},"content":{"rendered":"<p style=\"margin-bottom:2em;\">\r\n\tWe assisted in the creation of 3D artworks by AOYAGI BISEN, a calligrapher and artist who explores the possibilities of calligraphy on various stages.<br>This project is an attempt to materialize 360-degree data drawn in a VR space into a real-world three-dimensional object.&ensp;At our company, we placed the utmost importance on how to translate the &#8220;flow and pressure of the brushstrokes&#8221; that the artist unleashed into the space into a physical three-dimensional object without compromising its essence.&ensp;Aiming to achieve both the dynamic energy of calligraphy&#8217;s trajectory and the meticulous beauty of its form, we repeatedly adjusted the surface texture, from 3D printing to the final finishing touches, until the piece was completed.\r\n<\/p>\r\n<blockquote style=\"display:inline-block;background-color:#eee;margin:0 2em 3em 2em;padding:1rem;\">\r\n\tSculpture of movement&emsp;solid body<br>\r\n\t<span style=\"display:inline-block;padding:1rem;\">\r\n\t\tThis series involves printing the trajectory of letters written in 360 degrees in a VR space as a three-dimensional object using a 3D printer.<br>Instead of reading calligraphy as characters from the front, experience the movement of the calligraphy itself from multiple angles<br>\u2014&ensp;from the side, from behind, from below.<br>Each time you change your viewing angle, the artwork reveals a new expression.<br>This is an attempt to liberate calligraphy from its two-dimensional representation and to bring it into space as a bodily movement.\r\n\t<\/span><img loading=\"lazy\" decoding=\"async\" style=\"display:inline-block;margin:0 2rem;\" src=\"https:\/\/fes.kyoto.jp\/wp-content\/uploads\/2026\/05\/2C07421458FD4C08BFCBBCA54DFA3DAA79D2CDCC-150x62.png\" alt=\"\" width=\"150\" height=\"62\" class=\"alignright size-thumbnail wp-image-9151\" srcset=\"https:\/\/fes.kyoto.jp\/wp-content\/uploads\/2026\/05\/2C07421458FD4C08BFCBBCA54DFA3DAA79D2CDCC-150x62.png 150w, https:\/\/fes.kyoto.jp\/wp-content\/uploads\/2026\/05\/2C07421458FD4C08BFCBBCA54DFA3DAA79D2CDCC-500x208.png 500w, https:\/\/fes.kyoto.jp\/wp-content\/uploads\/2026\/05\/2C07421458FD4C08BFCBBCA54DFA3DAA79D2CDCC-1024x426.png 1024w, https:\/\/fes.kyoto.jp\/wp-content\/uploads\/2026\/05\/2C07421458FD4C08BFCBBCA54DFA3DAA79D2CDCC-768x319.png 768w, https:\/\/fes.kyoto.jp\/wp-content\/uploads\/2026\/05\/2C07421458FD4C08BFCBBCA54DFA3DAA79D2CDCC.png 1106w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>\r\n<\/blockquote>\r\n\r\n<a class=\"link_on_right\" style=\"margin-bottom:2em;\" href=\"https:\/\/aoyagibisen.jp\/\" target=\"_blank\">https:\/\/aoyagibisen.jp\/<\/a>\r\n<div class=\"clear\"><\/div>","protected":false},"excerpt":{"rendered":"We assisted in the creation of 3D artworks by AOYAGI BISEN, a calligrapher and artist who explores the possibi [&hellip;]","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"https:\/\/fes.kyoto.jp\/?p=9061","footnotes":""},"categories":[82],"tags":[],"class_list":["post-9354","post","type-post","status-publish","format-standard","hentry","category-works_en","en-US","no-wpautop"],"_links":{"self":[{"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/posts\/9354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/comments?post=9354"}],"version-history":[{"count":4,"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/posts\/9354\/revisions"}],"predecessor-version":[{"id":9360,"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/posts\/9354\/revisions\/9360"}],"wp:attachment":[{"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/media?parent=9354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/categories?post=9354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fes.kyoto.jp\/wp-json\/wp\/v2\/tags?post=9354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}